CeLOUbrate Print | Recap by Erica Lewis

CELOUBRATE PRINT



Flyer by Erica Lewis (EVPL)

Last September, I met with the Portland Museum to pitch CeLOUbrate Print, and they have extended enthusiastic support for me since that meeting. Portland Museum Director Katy Delahanty’s approval for the project and ongoing encouragement kickstarted the feat. Her sister and, at the time, Creative Coordinator of Portland Museum Shannon Delahanty was another ongoing source of support and even offered to curate a local printmaking exhibition called Shop Talk, which would go on to open alongside the event on April 20th.

In the months that followed, I primarily worked with William Smith of the Museum as well as Printed Zine without whom this project would not have been possible. William taught me so much about what it looks like to run a community engaged project— applying to external grants, managing multiple schedules, advertising in various media, juggling multiple budgets, and reaching out to local collaborators. No matter what dead ends or setbacks we reached, William taught me to be adaptive and flexible instead of discouraged or stagnated, and that was perhaps the most meaningful takeaway from this experience. Our project was successful not because we did not see any challenges, but because we fluidly responded to them and pivoted when necessary. I am incredibly grateful for my experience working with everyone at the Portland Museum and Printed Zine, not only for everything that I learned from all of them, but also for their kind reassurance throughout this process.


Spring Woodblock Carving Workshops

Additionally, this project was brought to fruition with the help of local print shops who chose to collaborate with us, from hosting our pre-event woodcut workshops to attending the main event itself—namely, Hound Dog Press, Brad Vetter Design, and A Place to Print. In addition, we were also able to work with local organizations to host additional workshops around the city—Kyros Brewing Co., PORTAL + ART Portal, South Central Regional Library, Douglass Community Center, Louisville Visual Art, Louisville Tool Library, and Logan Street Market—with thanks as well to volunteers who helped to lead some of the workshops, such as Eden Wray. 

Rachel Singel on steamroller duty

The University of Louisville was also an immense support through funding from the Graduate Student Council, Office of Community Engagement, and Department of Comparative Humanities. In addition, Professor Mary Carothers helped to order, pick up, and unload the wood used for the workshops, while Professor Rachel Singel offered the printshop for two woodcut workshops and drove the steamroller for us.


April 20th - CeLOUbrate Print!

On April 20th, CeLOUbrate Print culminated into a day of print shared with community members because of our generous local artists and organizations who came together to share their knowledge and processes—cyanotypes and steamroller relief printing (UofL Hite Art students), zine-making (Printed, Junior Jr., Wildflowers Collective, Newton Finnigan, David Wischer), introducing risograph methods (Grotesk Press), Lego relief printing (Louisville Visual Art), silkscreening free tote bags (Squallis Puppeteers), button-making (KMAC), stamping ceramics (Hand to Hand), hydrodripping as print (Eden Wray, Preston Arts Center), monotype printing (A Place to Print) and general discussion of print tools/materials (Eden Williams, Kayla Lewis, Al Sheets). And what’s an event without food and drink? Thanks as well to Kyros Brewing and Haitian Exotica! We even had music thanks to Jane Halliday, her band Swing ‘39, and support from the Louisville Federation of Musicians (Local 11-637).

I would also like to extend a huge thank you to my family who traveled from out of state to help me with preparatory work in addition to themselves volunteering to help set up and run the steamroller station. Thanks as well of course to everyone who attended the event, and my partner Nuri Thompson.

Finally, I would like to acknowledge the Fund for the Arts who donated a generous amount of funding that allowed for us, among other things, to document this project in the amazing photography below, taken by Sergio Cabrera of Momentos Photography.



Erica Lewis (EVPL)

The artist, EVPL, creates multidisciplinary artwork addressing bias and systems. Though formally trained in drawing and printmaking, Lewis' more recent work has been grounded in found objects and other sculptural materials to expand upon their ideas conceptually through materiality. 

Since 2020, Lewis has shown artwork in over 30 exhibitions with institutions spanning Alabama, Indiana, Kentucky, Ohio, Florida, Minnesota, Illinois, Massachusetts, Missouri, Pennsylvania, Arizona, and Michigan. As part of their participation in their Alma Mater’s inaugural residency The Stephens Fellowship, Lewis also donated a 36”x 64” relief print to the University of Montevallo’s permanent collection.

In 2019, Lewis graduated from the University of Montevallo with a Bachelor of Arts in English and a Bachelor of Fine Arts, concentrating in Drawing and in Printmaking. In 2022, they graduated from the University of Louisville in Kentucky with a Master of Fine Arts in Studio Art & Design.

Lewis is continuing their education at the University of Louisville in pursuit of their Ph.D. in Comparative Humanities on the Public Arts & Letters track, which includes a creative project as part of the dissertation. Lewis has a passion for teaching and hopes to continue their journey in academia after finishing their Ph.D., especially in creative and interdisciplinary avenues.

https://www.evplart.com
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“Papertrail” Exhibition